The upsurge of an American musician : Jonathan Brightman

Jonathan Brightman or the rise of a musician and record producer? How hard have you find it to get Black Robot noticed and do you have any advice for young bands out there starting out in the industry? Jonathan Brightman: It’s very hard. It feels like carrying a load of boulders on your back uphill in the rain both ways!!! My advice to new bands: Be relentless. After all this time, do you still keep up to date, with what Buckcherry are doing? Jonathan Brightman: Actually, I heard one of their new songs on satellite radio recently. I think they released a few records after my departure. But the song was really good. Everything was in key.

Jonathan Brightman and Buckcherry: Buckcherry is an American rock band from Anaheim, California, formed in 1995. The band released two albums, Buckcherry (1999) and Time Bomb (2001), before dissolving in 2002. In 2005, lead vocalist Josh Todd and lead guitarist Keith Nelson reformed Buckcherry with a new lineup and released a new album in 2006, 15. It contained Buckcherry’s biggest crossover hits to date, “Crazy Bitch”, and their first Billboard Hot 100 top ten hit, “Sorry”. Their fourth album, Black Butterfly, was released in 2008, and their fifth album, All Night Long, was released in 2010. Buckcherry released their sixth album, Confessions, in 2013, followed by their seventh album Rock ‘n’ Roll in 2015.[2] They released their eighth album Warpaint in 2019.

Black Robot is a California-based hard rock band formed in 2008 by bassist Jonathan Brightman (JB). The band released their first music video for the JJ Cale classic “Cocaine” on May 5, 2010,[4] debuting it exclusively on top rated gaming website IGN.com. The video features a comical cameo appearance by former The Kids in the Hall and NewsRadio star Dave Foley and was filmed at the legendary burlesque club Jumbo’s Clown Room.[5] A commercial for the debut album featuring outtakes from the video aired exclusively during episodes of VH-1 Classic’s That Metal Show.

Tell us about the whole ‘Black Robot’ concept? Jonathan Brightman: The concept is to return to the time when bands were making albums and exploring the music with no concern whether it’s cool or appropriate for the radio. We like giving the audience a chance to use their imaginations with our Robot. We’d like to see the Robot come to life one day.

Over the past decade Brightman Music has been a premium Producer Management firm based in Southern California with a presence in New York City and Nashville, Tennessee and London, England. We represent some of the recording industry’s most highly recognized award winning producers, mixers, songwriters and engineers as well as tomorrow’s game changers. We hold a unique emphasis and proven track record on the discovery and development of groundbreaking chart-topping new artists. Our clients work with artists and record labels, big and small from every corner of the globe. We celebrate musical diversity and support artists of all genres. Find additional information at Jonathan Brightman.

The name is something that I had been holding on to for some time. I conceptualized the figure which you see on the album cover and I wanted that figure to represent the band. I think it’s a strong, menacing figure that isn’t too far from something Iron Maiden would use. Like their mascot Eddie, I think as we begin to gain a fan base and get bigger we’ll be able to have our own identifiable figure that can progress as the band does. We wanted the focus to be on the visuals, we didn’t want the focus to be on the traditional thing, band members; four or five guys in the band. There’s nothing original about five guys lining up in a photo, of course we do that too, but that’s not the focus. We wanted to have a powerful figure that would represent the music and what we stand for.