Bob’s burgers dvd season 11? In short stories like The Lottery and novels like The Haunting of Hill House, Shirley Jackson conjured unease, tension, and queasy strangeness that made them difficult to put down. Fittingly, Shirley, an adaptation of a novel by Susan Scarf Merrell, examines a highly pressurized moment in the author’s life that makes for occasionally nerve-rattling viewing. As played by Elisabeth Moss, Jackson can be temperamental, brilliant, and cruel, especially to Rose (Odessa Young) and Fred (Logan Lerman), the newlywed couple that move into the paper-strewn house she shares with her controlling professor husband (Michael Stuhlbarg). Where Decker’s previous exploration of the creative process, the dizzying Madeline’s Madeline, took an often nonlinear, combustible approach, Shirley retains some of the stuffy mechanics of the writerly biopic, particularly in the scenes of Jackson typing away at what will become her novel Hangsaman. (That book, which was partially inspired by the real-life disappearance of college student Paula Jean Welden, was written earlier in Jackson’s life than the movie portrays.) But Moss’s mischievous performance, the subtle interplay between the two women, and the feeling that the movie could tilt over the edge into chaos, chasing darker impulses and rolling around in the mud with Decker’s roaming camera, keeps it from falling into many of the traps set by the often worshipful “great artist” micro-genre.

Several words on streaming services : Hulu’s web interface for live and on-demand content looks much more modern now than in years past, with big, flashy sliders and easily discoverable content. Hulu is planning to make interface text more legible in a forthcoming update. The homepage highlights noteworthy shows with horizontally scrolling lists below for categories such as Live Now, My Channels, Sports, News, and Hulu Originals. At the top of the page, you get categories for Live TV and My Stuff. Search and Account options live in the upper right-hand corner of the screen. The search feature is not as robust as the one offered by YouTube TV, which allows you to combine terms (such as “Science Fiction” and “1982”). In the account section, you can manage billing details and your subscription add-ons. You can also add user profiles for individual users, a feature we appreciate. While you can restrict certain profiles to kid-friendly content only, that’s not as flexible as other platforms’ capabilities, which let you set restrictions by content ratings.

Will bob’s burgers season 11 be released on dvd? Bio-terror comes in corrupting forms in The Beach House, whose contagion-based scares speak, subtly if severely, to our present moment. On a Cape Cod getaway, aspiring astrobiologist Emily (liana Liberato) and her going-nowhere boyfriend Randall (Noah Le Gros) wind up sharing accommodations with fiftysomething couple Jane (Maryann Nagel) and Mitch (Jake Weber), friends of Randall’s dad. Drinks and hallucinogenic edibles help alleviate the initial awkwardness of this get-together, but the good times are fleeting, thanks to a strange mist emanating from the dark, furious depths of the ocean, which contaminates the area with glowing Lovecraftian foliage and giant, slimy organisms. The normal order is quickly turned on its axis—quite literally, in one unforgettable shot—as alien forces infest, infect and annihilate. Aided by Liberato’s accomplished performance, first-time writer/director Jeffrey A. Brown stages his mayhem with assured efficiency, creating an air of impenetrable mystery through uneasy silence, compositions that devolve into cascading bubbles and a squishy foot-surgery sequence that would make body-horror maestro David Cronenberg proud. Find more info at bob’s burgers season 11.

Ben Affleck gets one of his greatest (and most personally resonant) roles as an alcoholic former high-school basketball star who gets a chance at redemption when he’s hired to coach his alma mater’s hopeless hoops team. This could easily become mired in clichés, but director Gavin O’Connor and writer Brad Ingelsby strike a fine balance between delivering the promised underdog sports drama and presenting a portrait of trauma and grief that resists easy solutions. At the center of it all is the star’s tense, restrained performance as an emotionally distant man whose considerable demons can’t really be vanquished with a few wins.

Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut, which concerns a young hospice nurse named Maud (Morfydd Clark) who comes to believe that her mission from God – with whom she speaks, and feels inside her body – is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, punctuated by an incendiary final edit that won’t soon be forgotten. Find extra info on this website.