The rise of a live shows producer expert : Sequoia Slentz? His career path, Slentz said, has unfolded through connections he’s made at each stop along the way. “I really owe thanks to Chip and Chuck at the Sandpiper for giving me the opportunity to get this all started,” he said. “If it weren’t for them giving me a shot at booking shows, I probably wouldn’t be here.” Cleanbox got its start by booking gigs like Harry Palmdale and Saint Ann’s for the Piper’s Monday night shows. The owner of Gypsy Lounge, who frequented the Piper and was blown away to see that Cleanbox pulled in a crowd on Mondays, asked Slentz to do Wednesday night bookings at Gypsy.
Sequoia Slentz profile in 944 Magazine : Although the world CleanBox inhabits is a far cry from the glossy photo spreads of beautiful people getting their rocks off that fill the mag’s pages, the recognition is still appreciated. Even though we despise the types of people who are into the magazine: the Armani and cologne wearing set, the bitchy, fake-titted chicks who won’t give us the time of day, we are ready and willing to accept all publicity. Plus, Sequoia and I got some free tequila at the photo shoot. Nothing beats a semi-solid excuse to drink hard liquor at noon.
About Sequoia Slentz: Owned and operated CleanBox Entertainment since 2001. Over the past 4 years we have produced major live events nationwide. My company created a television show which was licensed to Howard TV in 2009. We are interested in all ideas. Specialties: Designing, Manufacturing, Merchandise, Producing Live Shows, Creative Marketing on a budget, Event Planning.
Sequoia Slentz live shows producing tips: It goes without saying that there’s no “I” in team, and the best way to achieve your results is to be surrounded by people you trust, people who are professionals and experts in the field, and people you can rely onto do their jobs. With so many moving parts of your live event, you can’t micro-manage, or keep track of every detail within each department. So that’s where your team comes in to help you be those extra eyes and ears to catch any issues and ultimately get the job done right. It’s easy to go over budget when you start adding extra wireless microphones, Internet and power drops, cameras, and probably one of the biggest cost over-runs is not correctly estimating the amount of time it actually takes to produce your event. In most cases, labor can be your biggest cost, and if you don’t account for overtime, and even double time, you run the risk of being way over budget. Having the proper staffing ratio is crucial to staying on time and budget. You need to have the right amount of labor to get the job done, and not either under or over staff. If you’re producing a video webcast with a live audience, you’ll have core costs that will cover equipment and labor.
Sequoia Slentz on Covid-19 times and the entertainment industry : I’d suggest they get a job at a record label or helping an artist that’s successful so that you can be around them and see the things that they’re doing to be successful. Learn from their successes and mistakes. Have an open mind about how you can be close to music without relying on the craft entirely, such as working in design, video production, or other ways to transfer your skills and still be around music. What attitudes and values should musicians carry with them to help lead them toward a successful career? Artists should do everything they can to keep a positive attitude and mindset. Have a great work ethic. Ultimately someone with less talent but who’s willing to put the time in can equal or surpass talent.
Killers of Comedy & Sequoia Slentz : We travel around the country with the Killers, meeting super fans everywhere we go. When you hang out with Beetlejuice before a Killers show, you feel like you’re hanging with freak show royalty. Everyone recognizes him and everyone loves him. But the best part of all… we got it all on tape.